- Judi Anderson
- I am a jewelry designer and gemologist. I love creating beautiful heirloom jewelry for clients all over the world. In this blog, I feature many of my designs and current projects as well as articles about colored gemstones, diamonds and antique jewelry. As a historian and lover of antique and estate jewelry, I am often inspired by jewels from the past.
Sunday, March 3, 2013
Saint Patrick's Day Brooches and Stickpins
Thursday, February 7, 2013
Estate Brooches and Valentine's Day
Valentine's Day is just around the corner and hopefully Spring soon follows. If we believe the groundhog, Spring should be here about four weeks later!
To help celebrate we have reduced the prices of a number of the estate brooches in the Antique and Estate Jewelry Gallery. These beautiful antique jewels are perfect for any special occasion or season. In the gallery you will find wonderful examples of jewels from the Victorian, Art Nouveau, Edwardian and Art Deco periods.
While visiting the estate gallery, please also visit our collections of fine contemporary jewels and gemstones.
Thursday, March 1, 2012
Luck of the Irish - Four-leaf Clover Pins
and stem are gold and set with small graduated pearls. A larger pearl is set in
the center and a second rests on a petal like a small dew drop. Created by
Bippart, Griscom & Osborn in 14kt gold, circa 1900.
These and other beautiful jewels from the past can be found
in the Antique & Estate Jewelry Gallery.
Monday, January 16, 2012
Estate Jewelry as a Valentine Day's Gift
The brooches and pins created 100 years ago are particularly appropriate for conveying the sentimental messages of Valentine's Day. They are laden with symbolic meanings and hidden messages favored during the late Victorian era and early 20th century. Below is a sampling of a few of our favorite brooches and stickpins from the Antique and Estate Jewelry Gallery.
So, if you are stuck on someone special or wish to brooch the subject of your intimate feelings, an antique stickpin or brooch may be the perfect Valentine's Day gift!
Flora, the Goddess of Spring and Flowers, was a symbol or rebirth and new beginnings. The Goddess's golden tresses are bestrewn with a bouquet of flowers and foliage. This brooch is beautifully rendered in the Art Nouveau style. Crafted in 10kt gold, circa 1900.
The Victorians loved jewels with hidden meanings. One form were rebus jewels in which elements of the jewel represented a word or phrase. For example small brooches with delicate enamel flowers set in a crescent moon, like this one, could be interpreted as "honeymoon."The small dogwood blossoms beautifully crafted in pink and white enamel also held symbolic meaning. Among Victorians dogwood blossoms were a symbol of persistence as well as an indication of affection. Perhaps this brooch was a gift from a husband to his wife on their wedding night or at the time of their betrothal. Created by Krementz & Company in 14kt gold, circa 1900.
Beautifully detailed grape leaves and a cluster of fresh water pearls cascade across the oval frame of this Victorian brooch. In Victorian times grapes and grape leaves were a symbol of Christ, but also carried overtones of Bacchus and riotous revelry. Created by Ostby & Barton in 10kt gold, circa 1890.
A bouquet of golden irises flourishes amid an Art Nouveau tangle of curvaceous stems and foliage. Irises were a symbol of faith, hope and a promise in love. This brooch beautifully captures the wild, fluid aspect of Art Nouveau design. Crafted in 14kt gold, circa 1900.
A beautiful Art Nouveau brooch of intertwined ginkgo leaves surrounding a soft pastel Amethyst. The intricate, flowing design is accented with two small pearls. In Japan and China, Gingko trees are a traditional symbol of longevity and resilience. Created by Whiteside & Blank in 14kt gold, circa 1900.
An oak leaf and two acorns suspended from a small branch. The oak leaf is beautifully enameled with shimmering shades of green, yellow and pink. The acorns are set with two small pearls. The oak leaves and acorns are a symbol of strength and endurance, as well as a reminder that great things come from small beginnings. Crafted in 18kt and 14kt gold, circa 1900.
A beautiful four-leaf clover with richly detailed green enamel leaves. A small pearl is set in the center like a morning dew drop. This naturalistic jewel will undoubtedly bring luck to the giver, the wearer and their relationship. Crafted in 14kt gold, circa 1900.
A wonderful brooch of a swallow in flight. Among the Victorians swallows were a symbol of a loved one returning safely home. Aptly, swallows were often the first birds seen by ships returning to port. The piece is beautifully modeled with richly detailed feathers and wings and a red gemstone (possibly ruby or garnet) set as the eye. Created by Riker Bros. in 14kt gold, circa 1900.
can be found in the Antique and Estate Jewelry Gallery.
Saturday, December 3, 2011
Elegant Stickpins
The last several weeks we have been taking a Holiday tour of the Estate Jewelry and Antique Cufflink Galleries. This week we are taking a look at one of the less celebrated, sometimes forgotten, estate jewels ... the stickpin.
In the 19th and early 20th centuries no sartorially resplendent gentleman would be seen without a stickpin to secure his cravat or tie. In the 21st century these elegant jewels are often seen gracing jacket lapels or the front of a hat. Below is a sampling of these wonderful diminutive jewels from the early decades of the last century.
The maker of this stickpin, Carter, Howe & Company, created a menagerie teeming with serpents, dragons, griffins and other exotic creatures. This example features entwined serpents with jealous green eyes guarding a regal purple amethyst. A small fresh water pearl is set above the serpents like a distant, full moon. Crafted in 14kt gold, circa 1900.
Another example from the Carter, Howe menagerie of exotic and mythical beasts. Here a fierce dragon is either protecting or impaled on a golden sceptre set with a pearl. The dragon watches with a wary dark green eye, a hallmark of the golden chimeras Carter, Howe created. Crafted in 14kt gold, circa 1900.
A vigilant border collie watches from within a dome of rock crystal. The pooch is beautifully sculpted with a finely detailed coat, whiskers and soulful eyes. The miniature masterpiece was created by an artist meticulously carving the image into the reverse of a polished dome of rock crystal. Then, using brushes as small as a single hair, the collie was carefully painted with fine, lifelike details. Crafted in 18kt gold, circa 1880.
A stylized palmette soars above a luminous pearl framed with flowing geometric scrolls. A dramatic example of the beautiful Egyptian Revival jewels created in the early 1900s. Victorian and later jewelry makers often found inspiration in the jewels and designs of ancient civilizations. Created by Whiteside & Blank in 14kt gold, circa 1910.
A striking heliotrope, or bloodstone, set in a distinctive Arts & Crafts stickpin. The early Arts & Crafts movement drew significant inspiration from the craftsmanship and designs of the Middle Ages. The cruciform-shape of the stickpin and bloodstone reflect the Victorian interest in the symbols and spirituality of the earlier period. Created by The Brassler Company in 14kt gold, circa 1910.
Continuing the theme of Gothic or Medieval inspired jewels, this menacing stickpin features a winged serpent warily clutching a small pearl. The charming little fellow is the perfect miniature gargoyle to keep demons and goblins from a lapel or tie. The rich detail of the stickpin is a nice example of the fully modeled, sculpture-like miniature jewels of the period. Beautifully crafted by Whiteside & Blank in 14kt gold, circa 1900.
During the mid Victorian period (circa 1860) through the 1920s, equestrian and hunt-related jewelry were all the rage. This beautifully designed stickpin features an energetic, alert horse with a small red stone (likely a garnet) set as the eye. The dramatic, richly detailed design of the horse suggests the stickpin was created during the Art Deco era of the 1920s and 1930s. Crafted in 14kt gold, circa 1925.
This stickpin exudes classical elegance with a luminous moonstone surrounded by a wreath of laurel leaves. The laurel wreath is exquisitely crafted and finely detailed. The moonstone is complemented by a small white pearl set below. Created by Whiteside & Blank in 14kt gold, circa 1900.
An oak leaf and two acorns grow from a small branch. The oak leaf is beautifully enameled with shimmering shades of green, yellow and pink. The acorns are set with two small pearls. Possibly created by Krementz & Company in 18kt and 14kt gold, circa 1900.
Stickpins have been described as miniature sculptures set atop shafts of gold. They were created in an almost limitless variety of designs and styles. Above is only a small sampling.
These and other fine stickpins can be found in the
Antique and Estate Jewelry Gallery.
Wednesday, November 16, 2011
Antique Brooches and Pins
The holidays are fast approaching and we have been busy decorating the gallery for the coming festivities. As so often happens, some of the prettiest ornaments are not on our tree or hanging in the windows. They are sparkling in the antique jewelry showcase.
When custom creating jewels for clients I often look to jewels from the past for inspiration. Jewelry from earlier times was often beautifully crafted and can be found in an incredible variety of styles. Here are a few of my favorite brooches and pins from the late Victorian, Art Nouveau and Art Deco eras. These and other fine antique jewels can be found in the Antique and Estate Jewelry Gallery.
The Victorians' fascination with exotic mythological creatures was only limited by their imagination. A fierce lion-headed serpent with a tail of flame-like acanthus leaves warily guards this brooch with a jealous green eye. A glowing pearl is set in the center. Created by Carter, Howe in 14kt gold, circa 1890.
An exquisite, petite brooch of a woman serenely dreaming amid lucky clovers. The woman's profile and the four-leaf clovers are beautifully enameled in soft pastel shades. The clovers are set with sparkling dew drop-like diamonds. Created by Krementz & Company in 14kt gold, circa 1900.
A beautiful Art Nouveau brooch of intertwined ginkgo leaves surrounding a soft pastel Amethyst. The intricate, flowing design is accented with two small pearls. Created by Whiteside & Blank in 14kt gold, circa 1900.
A striking Krementz Art Nouveau brooch with pastel enamel leaves and pearl clusters surrounding a regal amethyst. A small diamond sparkles at the top of the brooch. Created by Krementz & Company in 14kt gold, circa 1900.
A dramatic Art Deco brooch set with a beautiful honey-colored Citrine. The gold sides of the brooch rise up pyramid-like to support the gemstone. They are decorated with a boldly geometric Greek key design. Crafted in 14kt gold, circa 1930.
Beautifully detailed grape leaves and a cluster of fresh water pearls cascade across the oval frame of this Victorian brooch. In Victorian times grapes and grape leaves were a symbol of Christ, but also carried overtones of Bacchus and riotous revelry. Created by Ostby & Barton in 10kt gold, circa 1890.
A beautiful Art Nouveau brooch of a four-leaf clover set with a small diamond. The leaves are richly detailed with fine veins and characteristic crescent moons. A wonderful example of flowing, almost surreal Art Nouveau design. Created by Whiteside & Blank in 14kt gold, circa 1900.
in the Antique and Estate Jewelry Gallery.